The Life of the Pumpkin is directed by Céline Sciamma, who won best adapted screenplay at the 2017 César Awards for Ma vie de Courgette; Set on an isolated island in 1760, it tells the story of Marianne, who was commissioned to paint a wedding portrait of Héloïse, who had just left the monastery. Marianne must paint a portrait of Héloïse, who is about to be resentlessly, without her knowledge. Marianne finds the remedy by watching the young woman during the day and painting her in the evenings. As Héloïse spends her final days as a free woman, an unexpected intimacy and attraction arises between the two women.
9.Zodiac (2007)
Bearing the signature of director David Fincher, who likes to leave the audience in a pile of riddles, the Zodiac deals with the story of a serial killer who kills randomly selected victims in places where no algorithm is holding them. Fincher invites the audience to join journalist Robert Greysmith, Paul Avery and detective David Toschi, who, like his other films, are chasing a serial killer in a dark atmosphere. The film, which begins in the '60s and tells the story of many years of murders, cryptic letters to journalists, and the experiences of three men trying to solve these murders around this incident, is a true story based on the novel of the same name by Robert Greysmith. .
8.Mad Max: Fury Road (2015)
The 2015 film Mad Max: Fury Road, in which George Miller has added a new film to his trilogy after many years, is undoubtedly one of the most perfect films of recent years, both technically and storytelling. Set in a post-apocalyptic world, the film follows the abduction by Imperator Furiosa, a.k.a. Mad Max, of the four women used by immortan Joe as a 'stud'. He tells the story of running away from those who are after them in an action plane that never stops.
7.Jodaeiye Nader az Simin (2011)
Asghar Farhadi's award-winning film A Separation contains inherently valuable findings about being human, with its astonistacting, management and masterful dialogue. It is based on a wide range of themes, such as leaving the country, leaving the mother and father, and leaving the right known, even if it is based on the separation of a husband and wife. A Separation, which has a layered story, refers to the intricate nature of man when exploring the conditions and even consequences of telling "truth" in a plot that moves towards insolubility with what everyone has hidden from each other. This time, the film discusses the absoluteness of truth by intertwining moral dilemmas with religion as well as a system, as justice sits at the center of the story.
6.There Will Be Blood (2007)
Based on Upton Sinclair's 1927 book "Oil!", veteran director Paul Thomas Anderson's 2007 film Bloodshed, which won the Academy Awards for Best Cinematography and Best Actor, is a film by capitalism. one of the most important films of all time regarding its rise is undoubtedly... Daniel Day Lewis' tremendous performance, the atmosphere of the combination of Paul Thomas Anderson and Robert Elswit, will shed blood, money, religion and ancestry, all in common, a film soaked in blood.
5.Toni Erdmann (2016)
Maren Ade's feature film Toni Erdmann, the three of them, is a fun journey for a man who has played the ultimate role in life to overcome unhappiness. A film showing the woman lost in corporate anxiety the insignificance of where to take the next step. That's what makes Toni Erdmann valuable! Roasted in the sun, as undefined as a footprint on a windy beach, as unique as the temperature felt standing.
4.Bir Zamanlar Anadolu’da (2011)
Nuri Bilge Ceylan returns to the troubled world of the countryside again with his sixth feature film, Once Upon a Time in Anatolia, which won the Grand Jury Prize at the Cannes Film Festival in 2011, but this time with the tension of a murder story. The film, directed by Nuri Bilge Ceylan and transformed into a magnificent two-and-a-half-hour journey, woven with nuanced details, directed by Nuri Bilge Ceylan, by the hand of Ercan Kesal, Ebru Ceylan and Nuri Bilge Ceylan. While focusing on the murder investigation in a remote Anatolian town, he also produces a nuanced panoroma of Turkey.
3.Caché (2005)
The veteran director Michael Haneke, who ensured that he embroidered the violence into the audience's soul without projecting it to the stage and always managed to disturb us in the audience seat, both directed and written the screenplay. One of the successful examples of Haneke cinema, which combines a true story with a tremendous fiction. Confronting past sins, conscience, compassion, anger, doubt, such as the concepts of open expression, in fact, appears on the axis of moral values. Georges and Anne have a son, Pierrot, and an intellectual life. Georges and Anne, who one day found an anonymous package on their doorstep, said: They get very restless from a videotape wrapped in a picture of a face with blood coming out of a child's hand. The tape shows a stationary camera recording the front of their house all day long, and as the tapes diversify, we realize that Georges was hiding a childhood memory.
2.Mulholland Dr. (2001)
David Lynch, one of the directors who has made his mark on the history of cinema, tells hollywood in his own way, by isolating Hollywood from the narrative, fiction, reality, which Hollywood has adopted and forced to accept. The luxury car driving on Mulholland Drive stops on the road; The driver and the man next to him pull a gun on the woman in the back seat and try to get him out of the vehicle, but one of the two vehicles racing on the road smashes into a limousine. The woman who survived the vehicle descends into Los Angeles. He takes refuge in the home of an elderly woman on vacation and meets the elderly woman's niece Betty, who is in town to become an actress. The story of the film is based on Betty's acting career and the mystery of the woman who identifies herself as Rita and suffers from memory loss from the accident. As Betty and Rita's relationship becomes increasingly strange and irrevocable, this vortex created by Lynch builds a nightmare about what a darkness Hollywood is going through.
1.Faa yeung nin wa (2000)
Love Time is one of the most pathetic, true love stories ever passed on to the screen, the most special one for us. How romance coincides with the institution of marriage that we have established to sustain our lives, how it can't be filled with the idea of 'what the neighbors say' and the internalized norms, again in Wong's unique cinema, poetic and very realistic. we'll have a chance to live again with representation. It reminds us that the greatness of love is not from the obstacles overcome as in fantasy stories, but by the infinite effect it has left on the oppressed beneath it. Maybe they will have loneliness that makes them feel that they should be held on as they will live in the future, or that unites these two people left behind by their wives with just a fling, and whether they are dealt with in the context of fate or need, they touch, and the effect is infinite.
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